A high-end fashion designer in 1950s London meets a girl, and things proceed from there…
I am not one to go to a movie based on an actor that happens to be in said movie. That’s something Mr. Otter often does, but I am plot-driven; I am happy when an actor I like is in a movie I want to see, but I have to be interested in the story, or I don’t bother to see it.
Except in the case of Daniel Day-Lewis. I would go see him read a laundry list, and be happy to pay my (whatever ungodly amount they’re charging for movies now) for it.
He is a Serious Honey. What’s more, he is, in my opinion, one of the very best, if not THE best, actor on the Big Screen right now…and I have heard rumors that he’s retiring after this movie. More power to him for having a life, but damn I’m going to miss him.
Even in a slow, strange, beautiful movie like this, he is riveting.
And it was slow. And beautiful. And very character-driven. And not much happened, although the end made us both sit up and say, What?…but it worked. I don’t know if I’d go see it again unless I was in desperate need for eye-candy, but it was good.
And aside from also saying that if you are interested in fashion or costume design, you will have even more reason to enjoy this movie, I will say no more. Discover it on your own, like it or hate it, Day-Lewis is definitely worth watching. As are many of the cast, but who sees them when he’s on the screen?
Thank you, Daniel. But I certainly hope I’m wrong and this is not your last movie.