From the novel of the same name by Bram Stoker. If you haven’t read it, for goodness sakes do it, it’s great.
An ancient vampire moves to England and makes a play for beautiful Mina. Can her fiancé stop him?
Craiggers and I were driving for nine hours together, and we had been together all weekend. We had been staying up too late and we were tired and talked out. I know he likes horror movies. I have this podcast series, I said, and I haven’t listened to it yet…want to try it?
And he did.
The series is Karina Longworth’s excellent and eclectic take on Hollywood’s first hundred years, called You Must Remember This. She has done many excellent serial podcasts, and the one I just happened to have on my ancient iPod Classic was a six-part series about Bela Lugosi and Boris Karloff, which we greatly enjoyed.
And that night, we had to watch this…I’m sure I saw it when I was a kid; it was always on TV, and my mom had seen it in the movie theater when she was six, when it was new. She said she sat in the front row with her older brothers, and when the closeup came of Dracula about to bite Mina’s neck, she went scampering to her parents in the back of the theater.
But I really couldn’t remember actually sitting, watching it and paying attention to it. And after hearing the podcast, I wanted to, as did Craiggers.
This was really really good. I love Tod Browning’s work, and had read about this from the other end in a bio of Browning; he was originally going to cast superstar Lon Chaney for the part, but Chaney died…this might have made him a better Dracula if it hadn’t seriously impacted his acting ability…! So Lugosi was hired to play the role, and did it to a T. He is suave, creepy and very Transylvanian. The closeups of his eyes, with a strip of light across them, are awesome, as is his whole presence.
Renfield, the lawyer who helped Dracula sell his castle (and imagine buying that!) and who is Dracula’s creepy minion, is great as well, chewing scenery with the best of them with his mad passion for eating gross insects, and Mina is ethereal and beautiful and not as passive as one might have thought.
Bela Lugosi was 48 at the time this was made, and this was literally the high point of his life…it seems like the rest of his career was an attempt to recapture the glory he had in 1931 for about 9 months, until Frankenstein (starring Boris Karloff) was released, eclipsing his star. Such is fame.
But all in all, an excellent movie, both as a film and as a piece of cinematographic and literary history. If you haven’t seen it, watch it (after you read the book, of course!) You will thank the Otter.