Joker

November 15, 2019

Internet Movie Database          Movie Reviews

Instead of the origin story of a superhero, we get that of a supervillain, the eponymous Joker.

There has been a lot of controversy about this movie, which is basically about the rise of a crazed serial killer; those who oppose it say that this is another example of glorified violence. Personally, I think the movie made the Joker and his life look damn unattractive, but that’s just my opinion. I did think it was brilliant and that Joaquin Phoenix (who is a favorite actor Chez Otter) deserves a damn Oscar for this. He was that good.

And now I’m going to venture into SPOILERLAND, so if you don’t want to find out anything about what happens, stop here.

So wow. I had tried to see this for a month, even attempting to get to a movie theater while on vacation, and it just didn’t work out…then I suddenly found myself with an afternoon free (anomalous for me) and just went ahead and did it…and I’m so glad I did.

This is the slow descent into madness of a serial killer, and Phoenix brings out every nuance of crazy. He is believeable, sociopathic, and scary as hell. I can see why it got huge acclaim at the Venice and Cannes festivals; it’s not about capes or superpowers, it’s just about this one guy and watching him live his life.

The one thing that I found odd was his last interaction with the woman and child he’s fixated on…did he kill them? He just left their apartment, but nothing was shown…I found out later that all his interactions with her were imaginary, from meeting in the elevator onwards; this makes more sense than that she (especially being the mother of a young child) would have ANYTHING to do with him, but I somehow missed that that was going on.

Otherwise (and that was probably my mistake, not the writers’) it was well written, amazingly acted, and dark as hell.

If your taste runs to this sort of dark psychological drama thing, make sure you see it. If it doesn’t, here’s a nice kitty you can look at instead:

 


Macbeth (1961)

November 15, 2019

Internet Movie Database

From the play of the same name by William Shakespeare.

Aaah,  the Scottish Play. With the Scottish Sean Connery. Back when he was seriously young and not well known, a year before Dr. No.

This is one of those 60s television theater productions, with minimal scenery, stark lighting and very earnest actors…and you know, Sean isn’t half bad, although then as now he tended to run his words together almost unintelligibly. There was nobody else in the production that I had ever heard of, but they were all good, probably bright lights of the TV theater scene at the time.

This is a pretty well done production, and worth seeing. Although they don’t cut off Macbeth’s head in the end and parade around with it, for some reason, even though that’s a high point of the play…


The Ballad of Buster Scruggs

May 10, 2019

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Six short Westerns, all set in different places with different characters.

Ah, the Coen brothers. We do love them, chez Otter. Even when they fall on their faces (yes, we hated The Big Lebowski, even though one of our cats is The Dude) they are interesting, inventive and make movies worth watching, at least once. And at their best, they’re incandescent.

I wouldn’t put this in that last category, but it was certainly good. They had us from the get-go, with the first story being about a singing cowboy (Tim Blake-Nelson) who is definitely NOT one of the good guys. Other stories include a spooky stagecoach ride, an Indian raid on a wagon train, a prospector who hits the big time, a bank robbery gone wrong, and a traveling showman.

All of them were interesting, all had good people acting in them, all were enjoyable.

And (the thing that sticks in the mind of everyone I’ve talked to who saw this) each seperate section is let into by the narrator opening an old-looking book of western stories, and showing an illustration and part of the text of the story that the movie audience is about to see.

And after it was over, Mr. Otter and I spent a couple of days talking about the stories, what we liked and didn’t like, and if they should have been in that order. Very satisfying.

This is stylish, well writing and certainly worth seeing if you can get your hands on it.


The Ugly American

September 21, 2018

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From the novel of the same name by William Lederer and Eugene Burdick.

Mr. Otter brought this home, and we watched it. He had read the book, which I hadn’t, and I knew nothing about it except the current usage of the phrase, which is Americans going to other countries and behaving like complete assholes.

So this is about a fictitious Southeast Asian country named Sarkan, that has a northern half that has become Communist, and they and the Chinese are trying to take over the rest of the country…sound familiar? Yup, it’s Vietnam; I figured that out after about ten minutes, it’s really obvious. Brando is the new ambassador, sent there to make sure the new road through the country that the Americans are building (“Freedom Road”) goes through, after some sabotage halts construction.

Brando’s character has a close Sarkanese friend who is being led astray by those darn Communists, so that’s a huge plot point with much political talk, and he is also friends with two Americans who run a hospital for children that is much needed and appreciated.

Eventually it all goes pear-shaped, mostly due to misunderstandings and the machinations of those doggone Communists, and the Americans have to leave. Not really a spoiler, it’s obvious where the plot is going.

This was pretty heavy-handed, but since it was made in 1963 about current political events, that’s not surprising. I was surprised, though, when I was talking to Mr. Otter a few days later- he used the phrase Ugly American, and I said, I assume that movie is where the phrase came from, but Brando wasn’t what the phrase means now, he really appreciated the country, tried to follow the customs and respect the people, but was misinformed.

Mr. Otter said no, the eponymous Ugly American was the American doctor, who the local people considered to be ugly although they loved him anyway. Huh? Really, said Mr. Otter, I read the book, it was him.

O-kaaaay. So there you have it.

If you like heavy-handed political drama, or seeing history from the contemporaneous point of view, this is your movie. But be warned, Brando is already in mumble-mode in 1963, it was sometimes very hard to understand him.


Money Train

June 7, 2018

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Woody and Wesley are transit cops who have a boss (Robert Blake) who is a bastard and they get back at him by hijacking the subway car that carries all the money for the transit system.

Um, stupid people doing stupid things stupidly.

This is not to say that this movie was not mildly enjoyable; Woody and Wesley are both young and cute (1995) and JLo is ditto. The plot was okay, just unbelieveable enough to make me roll my eyes, which (being in the middle of apheresis at the Red Cross) was about all I could move.

Mildly amusing, a good way to pass the time, no great shakes.


7 Days in Entebbe

March 20, 2018

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A ‘Inspired by True Events’ story about the hijackers who took a planeful of people (including a hundred Israeli citizens) to Uganda, and how the Israeli government sent special forces troops in to rescue them.

Mr. Otter and I went to see this; both of us, of course, were around when it happened, but considering that it was the month I graduated from high school, I wasn’t reading a lot of newspapers at the moment. But nobody at that time could miss hearing about it, it was a huge deal. And still is.

This movie…is not as good as we hoped it would be. I can’t speak for absolute historical accuracy, but they spent a lot of time trying to humanize the terrorists, which neither Mr. Otter nor I thought was either a good idea or very well done.

There was also a big plot thread with one of the soldiers and his girlfriend, who was pissed off that he wouldn’t be around to see her dance performance (really? Army guy is supposed to not follow orders to see your show?) and many cuts to the dance itself, which was an modernish thing that had us saying, Huh? Here is what Mr. Otter found out about it afterwards, because (good librarian that he is) he looked it up:

Mr. Otter: Apparently the first one is a piece about conformity among
the Haredim, which is supposed to somehow tie in to Israel’s tough
stance vis-avis the Palestinians. It’s a fairly famous piece, first
danced in 1990. The other piece is probably something about something,
too.

The second piece was during the credits, and was also a weird modern thing. And btw, this is not a reflection on the dancers, who were excellent; it just seemed out of place in a movie like this, especially with no explanation. I would have been happier with more politics and soldiering and less touchy-feely. I wonder if this stuff was put in specifically so that women would come to see an action movie?

This was okay, but not great. There was not enough tension, and the politics and public opinion were mostly told rather than shown…we were pretty nonplussed by the whole thing.


Ghostbusters II

March 1, 2018

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The Ghostbusters are back! and this time they’re working with Sigourney Weaver to stop a centuries-old evil guy who wants to return to life…

OtherOtter and I were hanging out and decided to watch a movie, which of course meant trying to find something we both had not seen lately and wanted to watch…this one fit the bill nicely. She had not seen it and it has obviously been at least 16 years since I have, since there is no review of it.

And it was fun! it’s not as funny as the original, of course, but then nothing is. The Ghostbusters have fallen on hard times and disbelief, Sigourney Weaver has been married and divorced and has a child but no husband, and there is a bad guy wanting to be reincarnated into her kid. Hijinks ensue.

This was, of course, dated…and watching it with a 20something, there were many times I said, you’ve never heard of (reference they just made), have you? Sigh. But we enjoyed it.

Not top of the list, but good for an evenings amusement.