The lives of two outlaws and the woman who loves one of them.
It was the New Year’s Day Videofest, chez Otter, and this year’s theme was Best Cinematography Oscar Winners. We had picked eight movies, drawn the names of four randomly, and watched them, with nine people coming in and out at different times…but by 9 pm, everyone else had gone. And as is often our wont, Mr. Otter and I were not ready to call it quits. So we watched this one as well.
I loved this movie when I was a young Otter, although I don’t think I ever saw it in a theater…I do remember watching it on TV every time the Television Scheduling Gods decided to show it (because, kids, in those days nobody had control over what was shown or when; you had a paper television schedule and you’d check it to see what was available for your viewing pleasure. The old days SUCKED.) and in fact, it was a family favorite.
But I had not seen this movie in at least 20 years if not more…and it was time to revisit my old friends.
And…it held up pretty well, for a movie where I could have quoted most of the dialogue along with the actors. I really like director George Roy Hill’s work (The Life and Times of Judge Roy Bean was another family favorite), William Goldman was a stellar writer, and I have and always will have a HUGE crush on Paul Newman. Robert Redford, not so much, but Newman was tops in the Otter Book of Actors to Crush On.
This is one of the revisionist Westerns that started being made in the 60s and 70s, where the outlaws are the sympathetic characters and full of charm, whatever their flaws…and (except for that damn song in the middle) this is well written, with good plotting and character development, a lot of amusement but also serious moments.
I’m glad to say that this is still a winner. Come on over and we’ll watch it sometime and put pillows over our heads and scream during that awful song.